Extended Counterpoint Symmetries and Continuous Counterpoint
Octavio A. Agustin-Aquino

Godel-Vector and G ode 1-Address as Tools for Genealogical Determination of Genetically-Produced Musical Variants
Carlos de Lemos Almada

A Survey of Applications of the Discrete Fourier Transform in Music Theory
Emmanuel Amiot

Gestures on Locales and Localic Topoi
Juan Sebastian Arias

On the Structural and the Abstract in My Compositional Work
Clarence Barlow

A Proposal for a Music Writing for the Visually Impaired
Teresa Campos-Arcaraz

Group Theory for Pitch Sequence Representation: From the Obvious to the Emergent Complexity
Emilio Erandu Ceja-Cardenas

Mazzola’s Eseher Theorem
Yemile Chavez-Martinez and Emilio Lluis-Puebla

The Mechanics of Tipping Points: A Case of Extreme Elasticity in Expressive Timing
Elaine Chew

Lexicographic Orderings of Modes and Morphisms
David Clampitt

Music of Quantum Circles
Micho Burdevich

Partitiogram, Mnet, Vnet and Tnet: Embedded Abstractions Inside Compositional Games
Pauxy Gentil-Nunes

Algebraic Combinatorics on Modes
Franck Jedrzejewski

Proportion. Perception, Speculation: Relationship Between Numbers and Music in the Construction of a Contemporary Pythagoreanism
Juan Sebastian Lach Lau

Topos Echochromas Horou (The Place of the Tone of Space). On the Relationship Between Geometry, Sound and Auditory Cognition
Jaime Alonso Lobato-Cardoso

Models and Algorithms for Music Generated by Physiological Processes
Jaime Alonso Lobato-Cardoso and Pablo Padilla-Longoria

Music, Expectation, and Information Theory
D. Gareth Loy

Gestural Dynamics in Modulation: (Towards) a Musical String Theory
Guerino Mazzola

Manuel M. Ponce’s Piano Sonata No. 2 (1916): An Analysis Using Signature Transformations and Spelled Heptachords
Mariana Montiel

Textural Contour: A Proposal for Textural Hierarchy Through the Ranking of Partitions lexset
Daniel Moreira de Sousa

The Sense of Suhdominant: A Fregean Perspective on Music-Theoretical Conceptualization
Thomas Noll

How Learned Patterns Allow Artist-Level Improvisers to Focus on Hanning and Interaction During Improvisation
Martin Norgaard

Tuning Systems Nested Within the Arnold Tongues: Musicological and Structural Interpretations
Gabriel Pareyon

Wooden Idiophones: Classification Through Phase Synchronization Analysis
Gabriel Pareyon and Silvia Pina-Romero

A Fuzzy Rule Model for High Level Musical Features on Automated Composition Systems
Ivan Paz, Angela Nebot, Francisco Mugica and Enrique Romero

The Musical Experience Between Measurement and Computation: From Symbolic Description to Morphodynaniical Unfolding
Mark Reybrouck

Generic Additive Synthesis. Hints from the Early Foundational Crisis in Mathematics for Experiments in Sound Ontology
Julian Rohrhuber and Juan Sebastian Lach Lau

Dynamical Virtual Sounding Networks
Edmar Soria, Roberto Cabezas and Roberto Morales-Manzanares

Melodic Pattern Segmentation of Polyphonic Music as a Set Partitioning Problem
Tsubasa Tanaka and Koichi Fujii

Diagrams. Games and Time (Towards the Analysis of Open Form Scores)
Samuel Vriezen

On Minimal Change Musical Morphologies
Michael Winter

Restoring the Structural Status of Keys Through DFT Phase Space
Jason Yust

Mazzola, Galois, Peirce, Riemann, and Merleau-Ponty: A Triadic, Spatial Framework for Gesture Theory
Fernando Zalamea