 Название: Graphic Imprints: The Influence of Representation and Ideation Tools in Architecture
Автор: Carlos L. Marcos
Издательство: Springer International Publishing
Год: 2018
ISBN: 9783319937489
Формат: pdf, epub
Страниц: XL, 1658.: ill.
Размер: 569,4 mb
Язык: English
About 200 professionals and researchers from 18 different countries attended the Congress. This book will be of interest to researchers in the field of architecture and Engineering. Topics discussed are Innovations in Architecture, graphic design and architecture, history and heritage among others.
Part I Drawing and Project
HUNCH 1972:? A Second Experiment in Sketch Recognition or:? ‘I Know the Concept of Your Concept of Interpolation’
Liss C. Werner
The Representation of a Built Setting Sun
Vicente Iborra Pallar?s, Iv?n Capdevila Castellanos and Jos? Lu?s Oliver Ram?rez
Poetics of Code/?Code of Poetics.? Generative Design Applied to ‘Arte Concreta’ Masterpieces
Manuel A. R?denas-L?pez, Pedro M. Jim?nez-Vicario and Andrea Giordano
The Constructive Drawings of the Architect Juan Antonio Garc?a Solera
Justo Oliva Meyer and Juan Calduch Cervera
The University of Sussex by Basil Spence:? Graphical Insight of the First ‘Plateglass University’
Laura Lizondo Sevilla and D?bora Domingo Calabuig
Between Antinomy and Symmetry.? Architectural Drawings of Presentation and Comparison in the XVI Century
Fabio Colonnese and Marco Carpiceci
Drawings in Colour.? The Royal Bullring of El Puerto de Santa Mar?a (Cadiz)
Jos? Carlos Gal?n Jim?nez
Charlotte Perriand’s Drawings.? The Graphical Representation of a Modern Life
Mar?a Pura Moreno Moreno and Mar?a Jos? Climent Mond?jar
Interpreting Art Nouveau in Drawings by Gino Copped?
Laura Carnevali, Marco Fasolo and Fabio Lanfranchi
Colourimetry as Strategy for Geometry Conversion:? Computing Evo-Devo Patterns
Diego Navarro-Mateu and Ana Cocho-Bermejo
Javier Carvajal or the Architect’s Special Affinity with Drawing
F?tima Sarasola Rubio
Hassan Fathy, Aldo van Eyck and Bernard Rudofsky Drawing Architecture
Alejandro Campos Uribe and Paula Lacomba Montes
Twenty Century Design Drawings in Italy:? The Case of Aldo Morbelli and Carlo Mollino
Roberta Spallone
Images and Learning in Architectural Ideation
Angelique Trachana and Antonio Mart?nez Aguado
Parametric Architecture and Representation, the Experiments of Luigi Moretti
Caterina Palestini and Alessandro Basso
‘To Understand and to Make Understood’.? Annotations on Two Competitions by Enric Miralles
Isabel Zaragoza and Jes?s Esquinas Dessy
Some Facets of Visual Thinking in Architecture
Anna Marotta and Martino Pavignano
The Drawings of Horacio Baliero, Between Architecture and Landscape
Maria Soledad Bustamante
Ruled Surfaces and Parametric Design
Mar?a Isabel G?mez S?nchez, Ana Gonz?lez Uriel and Ismael Garc?a R?os
The Fifties Graphic Expression in the Architectural Project.? A Parallel Between Europe and America
Pasquale Tunzi
Training the Inspiration to Ideate Architecture
Concepci?n Rodriguez Moreno
Information Design:? Communication-Design-Record
Bel?n Butrague?o D?az-Guerra, Mariasun Salgado de la Rosa and Javier Francisco Raposo Grau
Drawing a New Architectural Paradigm
Iv?n Capdevila Castellanos and Vicente Iborra Pallar?s
Sequential Tectographs:? A Graphic Resource for the Constructive Interpretation of Architectural Works
Pedro Barrero Ortega and Luis Riesco Leal
Analysis and Representation of Standardization Processes in Historic Buildings by HBIAM
Maria Laura Rossi
Competition for the Film Theatre and Library of Catalonia an Overview of the City Derived from the Process of Architectural Design
Maite Aguado Roca
Comments on 20 Drawings by Current Architects.? Would It Be Possible Today??
Alberto Grijalba Bengoetxea
Augmented Graphic Thinking
Mauro Chiarella, Underl?a Miotto Bruscato, Gon?alo Castro Henriques and Carla Beatriz Tortul
Imaginaries Triggers of the Ronchamp Project
Jos? Antonio Merino S?enz
Analog and Digital Drawing:? Complementation Drawing and Hybrid Drawing
M?nica G?mez Zepeda
The Sketch:? An Ageless Drawing
Clara Maestre Galindo
Graphic Languages as Complementary Systems for Knowledge:? Snapshots and Relationships from the History of Representation
Giuseppa Novello and Maurizio Marco Bocconcino
Manual Drawing as Means of Reflexion, in the Graphic Ideation
Jessica L?pez S?nchez and Jorge Agust?n Garc?a Garc?a
Part II Architecture and Re-presentation
Multidimensional? Space:? From Perspective to Big Data
Pablo Lorenzo-Eiroa
Surveying and 3D Modelling of the Andrea Palladio’s Teatro Olimpico in Vicenza.? First Studies on Geometric Analysis and Perspectives
Giuseppe Amoruso, Alberto Sdegno and Andrea Manti
Geometric Analysis of Two Brick Ribbed Vaults from the 14th Century in Arag?n
Miguel Sancho Mir, Beatriz Mart?n Dom?nguez and Carlos Salas Ballest?n
Representation and Construction of Skewed Masonry Arch Bridges in England Between 18th and 19th Century
Stefano Chiarenza
The Architecture of the Altes Museum in Schinkel’s Drawings
V?ctor Hugo Vel?squez Hern?ndez
“ The Hand, Sister of Eye ”. Architectural Models in Atelier Le Corbusier
Miguel ?ngel de la Cova Morillo-Velarde
The Mausoleum of Galla Placidia in Ravenna:? Archaeoastronomy?, Numbers, Geometry and Communication
Manuela Incerti, Gaia Lavoratti, Sara D’Amico and Stefano Giannetti
The Graphic Evolution of Architectural Competitions
Mercedes Carbonell Segarra and Asunci?n D?az Garc?a
Modelling and Visualization Issues in the Architectural Heritage BIM
Pamela Maiezza and Alessandra Tata
The Scale Model as a Paradigm of Information Systems.? The Large-Scale Model of Pompei
Adriana Rossi and Pedro M. Cabezos Bernal
Digital Scenarios and Virtual Environments for the Representation of Middle Eastern Architecture
Francesca Picchio, Monica Bercigli and Raffaella De Marco
Graphic Representation and Geometric Analysis of the Springers of the Star Vault of the Chapter House of Santa Mar?a Monastery in Simat de Valldigna (Valencia, Spain)
Esther Capilla Tamborero
A research tool for energy efficiency, the drawing
Ernesto Echeverr?a Valiente, Flavio Celis D’Amico and Fernando da Casa Martin
10 Years of Urban Sketching Imprint
Hugo Barros Costa, Salvador Gilabert Sanz and Pedro Molina-Siles
The Averinga’s Edicola and the Cult of Water in Palermo.? From Knowledge to Valorisation
Francesco Di Paola, Giovanni Fatta and Calogero Vinci
Urban Space and Places of Memory:? The Survey as a Tool for Investigating the Process of Transformation
Marcello Balzani and Federica Maietti
Heritage Dissemination Through the Virtual and Augmented Realities
Eduardo Baviera Ll?pez, Jorge Llopis Verd?, Jorge Mart?nez Piqueras and Jos? Lu?s Denia R?os
Data, Models and Visualization:? Connected Tools to Enhance the Fruition of the Architectural Heritage in the City of Padova
Cristina Cecchini, Maria Rosaria Cundari, Valerio Palma and Federico Panarotto
Tectonic Contradictions in Soft-Architecture
Aitor Goitia Cruz
Editorial Policies and Politics of Design in the Pre-case Study House Program Decade: The Visual Construction of California Arts & Architecture (193X–194X)
Jos? Parra-Mart?nez and John Crosse
Digital Instruments of Knowledge and Dissemination.? The Re-presentation of Baroque Architecture in Sicily
Rita Valenti and Emanuela Patern?
The Role of Drawing and Master Alarifes in the Study of the Sixteenth and Seventeenth Centuries Sevillian Housing from Graphical and Literary Documents
Mar?a N??ez-Gonz?lez
Futurism and Parametricism:? Two Sides of the Same Coin??
Juan Mar?a Sarri? Garc?a
The Artist David Roberts’ Architectural Design for the Scott Monument, Edinburgh
Martin Sorowka
From Worksite Tracing Drawings to Integrated Digital Models for Reconstructing and Preserving Cultural Heritage
Carlo Bianchini, Alfonso Ippolito, Carlo Inglese, Martina Attenni, Valeria Caniglia and Marika Griffo
The Avant-Garde in the Work of Fernando Garc?a Mercadal
Noelia Cervero S?nchez, Aurelio Vallesp?n Muniesa and Ignacio Cabodevilla-Artieda
Comics as a Means of Architecture Representation
Vincenzo Bagnolo and Laura Lusso
Old Drawings to Project the New Royal Palace of Madrid
?ngel Mart?nez D?az
The Drawing of the Cultori-di-Architettura for the Sea of Rome.? Ostia Marittima 1916–2016
Antonella Salucci
Movement and Immobility:? The Two Faces of Representation
Laura Carlevaris
The Architectural Imprint of Ideas
Amparo Bernal L?pez-Sanvicente
The Symbolism of Figurative Expression
Pablo Jerem?as Juan Guti?rrez and Ricardo Irles Parre?o
The Invention and the ‘Rule’.? The San Carlo Alle Quattro Fontane Complex
Giuseppe Antuono
BIM Methodology in Heritage Management
Jorge Gabriel Molinero S?nchez, Antonio G?mez-Blanco Pontes and Esteban Jos? Rivas L?pez
Graphic Narration of Places:? The Vomero Through the Illustrated Magazines Between ‘800 and’ 900
Maria Martone
Makers of Atmospheres.? The Image Beyond the Architecture
Marta Alonso Rodr?guez, Noelia Galv?n Desvaux and Antonio ?lvaro-Tordesillas
Industrial Palace, Stretching What Graphic Narratives Can Do for Architecture
Oscar Rubio, Ester Gisbert and Carlos L. Marcos
Digital Information Archives for an Integrated Documentation of Eremitical Settlements on Amalfi Coast
Pierpaolo D’Agostino and Barbara Messina
The 1740 Neapolitan Festivities Drawings
Vincenzo Cirillo
Sant’Elmo in Naples.? A Castle to Be Rediscovered
Cesare Cundari
Enric Miralles, Narration and Creation Through Drawing and Compositions
Salvador Gilabert Sanz and Hugo Antonio Barros da Rocha e Costa
Project the World by Drawing.? The Four Books of Francisco de As?s Cabrero
Jos? de Coca Leicher
Parametric Processes in Implementing H-BIM on Historical Architecture
Ma Concepci?n L?pez Gonz?lez and Jorge Garc?a-Valldecabres
The Hybrid Project:? Graphic Strategies for Projects on the Architectural Heritage
?lvaro Moral Garc?a, Enrique Jerez Abajo and Eduardo Carazo Lefort
Based on the Drawing of Vega Y Verdugo, the Reproduction of the Western Facade of the Cathedral of Santiago de Compostela
M?nica del R?o Mu?oz
From the Architecture Treatises to the Portfolio:? The Etchings of Piranesi
Carlos L. Marcos and Andr?s Mart?nez-Medina
Light Architectures.? The Architectural Representation Between Holography and Reality Increased
Giovanni Mongiello, Riccardo Tavolare, Cesare Verdoscia and Alessia Salomone
Proposal of Graphic Restitution of Linear Landscape
Josefa Ros Torres, Gemma V?zquez Arenas and Josefina Garc?a Le?n
A Graphic Vision of the Headquarters of the Religious Communities of Zamora
Daniel L?pez Bragado and V?ctor Antonio Lafuente S?nchez
The Roman Circus of the City of Tarragona.? 10 Years of Collaboration Between Architects and Archaeologists
Pau Sol?-Morales, J. M. Macias, J. M. Puche, J. M. Toldr? and I. Fern?ndez
The Cultural, Geometric, Virtual Models for the Representation of a Survey
Emma Mandelli and Alessandro Merlo
Lugo Cathedral’s Cloister:? Context and Graphic Description
Luis Hermida Gonz?lez
The Graphic Fonts for the Restoration of the Puerta de Marchena, Moved in 1913 from the Duque de Arcos’ Palace, in Marchena, to the Real Alc?zar of Seville
Antonio J. Albardonedo Freire, Mar?a Dolores Robador Gonz?lez and Carmen De Tena Ram?rez
Part III Representation Materiality and Digital Fabrication
Augmented Graphic Thinking in Geometry.? Developable Architectural Surfaces in Experimental Pavilions
Andr?s Mart?n-Pastor
Little Big Models.? The Tools of Japanese Architect Studios
Marta ?beda Blanco, Daniel Villalobos Alonso and Sara P?rez Barreiro
Digital Tools for Architectural Conception
Alberto T. Est?vez
Geo-Solar Geometry:? A Teaching Tool for Understanding the Sun Orbits Around Any Point on Earth:? A Global Three-Dimensional Solar Chart
Ram?n Maestre L?pez-Salazar
Self-assembling Architecture.? User Graphic Manuals
Sonia Izquierdo Esteban
Kerf-Bending Tests:? Design for Manufacturing Doubly Ruled Surfaces
Emanuela Lanzara and Mara Capone
The Geometric Cast-Shadows for the Motivation Retrieval
Antonio ?lvaro-Tordesillas, Marta Alonso-Rodr?guez and Noelia Galv?n Desvaux
Chair_ludus : Re-drawing the Gerrit Rietveld Chairs
Marcello Balzani, Luca Rossato and Francesco Viroli
The Physical Modeling in Architectural Design—The Serial Plans
Am?lia de Farias Panet Barros and Aluizia M?rcia Fonseca de Lima
The Digital Model as a Nexus Between the Drawn and the Constructed.? The Basilica of Santa Maria of Elche as an Example
Santiago Vilella Bas
Part IV Cartographies, Mappings, City and Territory
Views of Seville Environs Until 1800
Tom?s D?az Zamudio and Antonio G?miz Gordo
Tecnological Gaze:? Digital Techniques of Landscape Representation
Gabriella Liva
Digital Representation of Urban Changes:? Fragments of the Medieval Palermo
Vincenza Garofalo
The Survey Plan of Madrid Conducted by Carlos Mar?a de Castro
Luis de Sobr?n Mart?nez
Visual Connections as a Palimpsest of the Coastal Landscape:? The System of Coastal Towers of Sardinia
Vincenzo Bagnolo and Andrea Pirinu
The Importance of Historical Cartography:? Its Use in Patrimonial Research.? The Case of the Conventual Seville
M. Mercedes Molina-Li??n
Drawing Cities and Villages in the Landscape
Juan Manuel B?ez Mezquita
Hydraulic Infrastructures and Territory:? The Cartography of Mythical and Projected Canals in the Lower Guadalquivir and Jerez de La Frontera (1581–1778)
Jos? Peral-L?pez and Jos?-Manuel Aladro-Prieto
Cartographies and Graphic Models for the Representation of the Mediterranean Space and Its Human Flows
Manuela Bassetta
Part V Projections and Architectural Space
New Graphic Tools for Hospital’s Spatial Analysis and Design
Pilar Ch?as Navarro, Tom?s Abad and Gonzalo Garc?a-Rosales
Anamorphic Perspective and Architectural Space.? Two Works by Felice Varini and Georges Rousse
Giovanni Caffio
Inside the Geometry, that Is Inside the Architecture
Antonio Mollicone
The Music of Sant Fructu?s’ Measures
Francisco Javier Gonz?lez P?rez and Antonio Mill?n-G?mez
Part VI Architecture, Phenomenology, Perception and Interaction
Virtual Tours for the Dissemination of Architectural Heritage.? The Almud?n of Valencia
Mart?n Cipoletta, Pedro M. Cabezos Bernal and Daniel Mart?n Fuentes
Sensitive Experience on the Steven Holl Architectural Drawings:? Phenomenon, Fragment and Device
?ngel Allepuz Pedre?o
Architecture and d?j? vus
Antonio Amado Lorenzo
Movements by Drawing:? Avant-Garde Set-Design and Sound Landscapes
Starlight Vattano
Synchronized Artificial Natures: The Secret Life of Trees Connecting York, Delft and Alicante
Jos? Carrasco Hortal, Francesc Morales Men?rguez, Salvador Serrano Salazar, Mark-David Hosale and Friso Gouwetor
A New App to Assess the Visual Impact of Buildings in Historical City Centers Called LandArch
Juan Serra Lluch, Susana I?arra Abad, Pedro M. Cabezos Bernal and Javier Cortina Maruenda
Wayfinding Systems and Color to Increase Well-Being in Healthcare Facilities Spaces
Gonzalo Garc?a-Rosales, Pilar Ch?as Navarro, Manuel de Miguel S?nchez and Enrique Casta?o Perea
Thinking and Intelligence in the Architectural Design.? A Review from Language, Graphuage and Manuage
Mauricio Arnoldo C?rcamo Pino
Drawing on Architectural Skin.? Mud Dihedral in “Paso Doble” of Miquel Barcel? and Josef Nadj:? Canvas of a Tragedy for Empirical Knowledge Through the Body and Senses
Taciana Laredo Torres and Ricardo Santonja Jim?nez
Street Art in Naples in the Territory of the 8th Municipality
Ornella Zerlenga, Fabiana Forte and Luciano Lauda
A New Approach to Architectural Representation According to the Principles of Gestalt Perception
V?ctor Antonio Lafuente S?nchez and Daniel L?pez Bragado
Influence of Light and the Geometry of Architectural Envelope Through ‘Experience of an Induced Way’
Jos? ?ngel Ruiz-C?ceres, Diego Tovar Monge and Yuriy Vatrala
Drawings and Images for an Inclusive Use of Cultural Heritage
Cristina C?ndito
Design of Residential Centres for the Elderly and the Perception in Their Spaces
Ana Torres Barchino, Jorge Llopis Verd?, Juan Serra Lluch and Anna Delcampo Carda
Phenomenology of Minimalist Perception Applied to Can Lis (Porto Petro, Mallorca, Spain, 1971–1973)
Juan Carlos Salas Ballest?n
Relationships Between Photography and Cinema and the Construction of the Architect’s Gaze
Francisco Granero Mart?n
Morphographies:? The New Graphic Category
Juan Carlos Ortiz Tabarez
The Presence of the Visible.? Multisensory Experience in Art and Architecture
Luis Navarro Jover
Part VII Teaching Innovation and Research
Impact of BIM on Tools, Resources and Teaching Environments
I?igo Leon Cascante and Jos? Javier P?rez Mart?nez
Origami as a Tool for Three-Dimensional Architectonic Thought
Carmen Escoda Pastor
Graphic Classes in the Worldwide Classroom:? A Comparison of Two MOOC Experiences
Ester Pujadas-Gispert, Ernest Redondo Dom?nguez and Mar?a Rosa Estela-Carbonell
Algorithm Design for Ruled Surfaces.? Case Study of Felix Candela
Federico Luis del Blanco Garc?a and Ismael Garc?a R?os
Oriented Approaches.? Graphic Operations of Architectural Thinking
Javier Fco. Raposo Grau, Mariasun Salgado de la Rosa and Bel?n Butrague?o D?az-Guerra
Learning Creative Processes from a Constructivist Perspective
Fernando Lancho Alvarado
Graphic Survey Using Automated Photogrammetry and Its Application to the Teaching Programs Linked to the Architectural Graphic Expression Area
Jos? Javier P?rez Mart?nez and I?igo Leon Cascante
Modular Components as a Generative Design Project Resource for Beginner Architecture Students
Amelia de Farias Panet Barros and Juliana M. S. Costa Morais
Actuality of Art Education at the Beginning of XX Century in East Europe. Graphic Constructions Through Gestaltung and Formenlehre in Figurative Creativities Teaching Pathways
Alessandro Luigini and Starlight Vattano
A Drawing Methodology Based on Graphic Experiences in the Alhambra
Antonio Garc?a Bueno and Karina Medina Granados
Author Index
|
Разделы сайта
Авторизация
Реклама
Graphic Imprints: The Influence of Representation and Ideation Tools in Architecture 
